Prebles’ Artforms 12th Edition by Patrick Frank, ISBN-13: 978-0134793122

Prebles’ Artforms 12th Edition by Patrick Frank, ISBN-13: 978-0134793122

[PDF eBook eTextbook]

• Publisher: ‎ Pearson; 12th edition (February 17, 2018)
• Language: ‎ English
• 552 pages
• ISBN-10: ‎ 0134793129
• ISBN-13: ‎ 978-0134793122

Prebles’ Artforms helps you understand that as humans form works of art, we in turn are shaped by what we’ve created. This emphasis on the impact of art on society and individuals ignites interest in various disciplines of the arts. Building on the foundation laid by original authors Duane and Sarah Preble, current author Patrick Frank combines coverage of classic works and contemporary art to reflect the ever-evolving state of human creativity.

The 12th Edition offers updated images and new Creators essays that highlight the contributions of key artists. The text explores the increasingly important interactions between art and the digital world. Examples include enhanced coverage of digital drawing and an expanded discussion of artists’ use of software editing.

Table of Contents:

PART I: THE LANGUAGE OF VISUAL EXPERIENCE

1. The Nature of Art and Creativity
2. The Purposes and Functions of Art
3. The Visual Elements
4. The Principles of Design
5. Evaluating Art

PART II: THE MEDIA OF ART

6. Drawing
7. Painting
8. Printmaking
9. Photography
10. Cinema and Digital Arts
11. Design Disciplines
12. Sculpture
13. Craft Media in Useful Objects
14. Architecture

PART III: ART AS CULTURAL HERITAGE

15. From the Earliest Art to The Bronze Age
16. The Classical and Medieval West
17. Renaissance and Baroque Europe
18. Traditional Arts of Asia
19. The Islamic World
20. Africa, Oceania, and the Americas

PART IV: THE MODERN WORLD

21. Late Eighteenth and Nineteenth Centuries
22. Early Twentieth Century
23. Between World Wars
24. Postwar Modern Movements

PART V: THE POSTMODERN WORLD

25. Postmodernity and Global Art

Patrick Frank has taught in many higher education environments, from rural community colleges to private research universities. His recent scholarly work has focused on Latin American graphic arts. He is author of Posada’s Broadsheets: Mexican Popular Imagery 1890–1910 and Los Artistas del Pueblo: Prints and Workers’ Culture in Buenos Aires (University of New Mexico Press). He has curated five exhibitions of Latin American prints. He has also edited a volume of artists’ writings, Readings in Latin American Modern Art (Yale University Press). He served as collaborating author for the modern section of Marilyn Stokstad’s Art History (third edition). He earned M.A. and Ph.D. degrees at George Washington University in Washington, D.C., and is currently teaching the History of Modern Latin American Art at Pitzer College in Claremont, Calif. He lives in the seaside community of Venice.

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